Shanghai and Globalization through the Lens of Film Noir: Lou Ye’s 2000 Film, Suzhou River
In the 1990s, the film industry in China decentralized with the bankruptcy of the state-owned studio system. Privatized independent film companies took over where the government had left off and a more independent film culture emerged. Although obstacles such as political censorship, financial press...
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| Format: | Article |
| Language: | English |
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Open Library of Humanities
2010-10-01
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| Series: | The ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts |
| Online Access: | http://www.asianetworkexchange.org/articles/202 |