Tênues limites entre o cinema documentário e ficcional. O exemplo de O Mistério de Picasso
From the invention of the cinema, two big potentialities configured : thecinema while reproduction of the real with the Lumière and the illusionistic cinema and fantasioso of Georges Méliès. In the large majority of the cases these two big genders – documentary and fictional – are analysed like dive...
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| Format: | Article |
| Language: | English |
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Universidade da Beira Interior, Portugal (UBI) & Universidade Estadual de Campinas, Brasil (UNICAMP)
2011-08-01
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| Series: | Doc On-Line: Revista Digital de Cinema Documentário |
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| Online Access: | http://www.doc.ubi.pt/10/dossier_soleni_fressato.pdf |