The geography of consciousness in Ibsen's theatrical practice
When a director stands in the cockpit of a rehearsal he or she sees a different object than a person reading the text of a play. This article attempts to outline a style of criticism that may be useful to persons preparing to produce Ibsen’s plays. Several critical principles are presented: first,...
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| Format: | Article |
| Language: | English |
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Septentrio Academic Publishing
2015-02-01
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| Series: | Nordlit: Tidsskrift i litteratur og kultur |
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| Online Access: | https://septentrio.uit.no/index.php/nordlit/article/view/3375 |