L’artista vivente come fonte e archivio della danza. Le interviste a Cristina Hoyos, Dominique e Françoise Dupuy per le ricerche sulla danza come patrimonio culturale immateriale
The 1900 is the century in which they feel the need to conserve more in opposition to the big run of events and thus proliferate archives. Although the dance has this “need for memory”. When it comes to living artists certainly the most important archives are themselves, their body, their knowledge,...
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| Format: | Article |
| Language: | Italian |
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University of Bologna
2015-03-01
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| Series: | Danza e Ricerca |
| Online Access: | http://danzaericerca.unibo.it/article/view/4983 |