A World of ‘Purely Artistic Conception’ and a ‘Universal Art of the Spirit’: Max Dvořák and Karel Teige between Phenomenology and Surrealism // A World of ‘Purely Artistic Conception’ and a ‘Universal Art of the Spirit’: Max Dvořák and Karel Teige between Phenomenology and Surrealism

A World of ‘Purely Artistic Conception’ and a ‘Universal Art of the Spirit’: Max Dvořák and Karel Teige between Phenomenology and Surrealism // A World of ‘Purely Artistic Conception’ and a ‘Universal Art of the Spirit’: Max Dvořák and Karel Teige between Phenomenology and Surrealism

In the early 1940s, Karel Teige, a prominent theorist of the Czech avant-garde, returns to Max Dvořák’s concept of history of art as ‘history of the spirit’. Starting in the late 1930s, Teige pursued a sustained inquiry into the essence of the so-called imaginative (or ‘phantasizing’, in Teige’s...

Full description

Bibliographic Details
Main Author: Josef Vojvodík
Format: Article
Language:ces
Published: Univerzita Karlova, Filozofická fakulta 2015-12-01
Series:Slovo a Smysl
Subjects:
vnitřní model
česká avantgarda
fenomenologie vnímání
subjektivní prožitek skutečnosti
manýrismus
surrealismus
inner model
Czech avant-garde
phenomenology of perception
subjective experience of reality
mannerism
surrealism
Online Access:https://sites.ff.cuni.cz/wordandsense/wp-content/uploads/sites/18/2016/02/josef_vojvodik_25-41.pdf

Internet

https://sites.ff.cuni.cz/wordandsense/wp-content/uploads/sites/18/2016/02/josef_vojvodik_25-41.pdf

Similar Items