Defining the Aesthetic(s) of Negation in El Techo de la Ballena
The radical artist collective El Techo de la Ballena (1961–1968) is primarily remembered as a scandalous, interdisciplinary pioneer of performative public interventions in Venezuela. Yet the group established a contradictory, pluralistic visual aesthetic(s) that served as a refusal of the artistic a...
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| Format: | Article |
| Language: | English |
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Centro Argentino de Investigadores de Arte
2014-06-01
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| Series: | Caiana: Revista de Historia del Arte y Cultura Visual |
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| Online Access: | http://caiana.caia.org.ar/template/caiana.php?pag=articles/article_2.php&obj=153&vol=4 |