Dark fragments: Contrasting corporealities in Pasolini's La ricotta
The short film La ricotta (Pier Paolo Pasolini, 1963) tells the story of Stracci, an extra working on a film of the life of Christ, which is presented in part via tableaux vivants of Mannerist paintings. Pasolini’s film is replete with formal, stylistic and narrative binaries. In this article, I exa...
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| Format: | Article |
| Language: | English |
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University College Cork
2014-06-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | http://www.alphavillejournal.com/Issue7/HTML/ArticleMurphy.html |