“The Hand that Writes”: The Scriptorial Unfinishedness of the First Movement of Mahler’s Tenth

Since Theodor W. Adorno’s essay “Roman” (“Novel”), in his book Mahler: Eine Musikalische Physiognomik (Mahler: A Musical Physiognomy), it has become commonplace for scholars to study the narrativity of Gustav Mahler’s music. However, insufficient attention has been given to the analysis of narra...

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Bibliographic Details
Main Author: Angelo Pinto
Format: Article
Language:English
Published: Österreichische Gesellschaft für Musikwissenschaft 2020-10-01
Series:Musicologica Austriaca
Subjects:
Online Access:http://musau.org/parts/neue-article-page/view/89