The Aesthetics of Violence and Power in Uli Edel’s Der Baader Meinhof Komplex
The confluence of art, politics, and aesthetics has a troubled and troubling history, and the article reflects on that by examining the aesthetics of Uli Edel’s filmDer Baader Meinhof Komplex in terms of its use of iconic historical and—in terms of film history—stereotypical images. The absence of c...
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| Format: | Article |
| Language: | English |
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University of Alberta
2016-02-01
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| Series: | Imaginations: Journal of Cross-Cultural Media Studies |
| Online Access: | http://imaginations.csj.ualberta.ca/?p=5816 |