EL RETABLO ROMANISTA

By the middle of the XVIth century, two retables are going to define the romanistic reredos: The altarpiece in Astorga, a work by Gaspar Becerra assisted by Juan de Anchieta and others, an the retable of Sta. Claire Briviesca. They relate each other, though the reredos of Briviesca is inffluenced by...

Full description

Bibliographic Details
Main Author: María Concepción García Gaínza
Format: Article
Language:English
Published: Universidad de Murcia 1989-12-01
Series:Imafronte
Online Access:https://revistas.um.es/imafronte/article/view/40611