EL RETABLO ROMANISTA
By the middle of the XVIth century, two retables are going to define the romanistic reredos: The altarpiece in Astorga, a work by Gaspar Becerra assisted by Juan de Anchieta and others, an the retable of Sta. Claire Briviesca. They relate each other, though the reredos of Briviesca is inffluenced by...
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Format: | Article |
Language: | English |
Published: |
Universidad de Murcia
1989-12-01
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Series: | Imafronte |
Online Access: | https://revistas.um.es/imafronte/article/view/40611 |