Between Allegory and Modern Montage: The Images in W.G. Sebald’s “Vertigo”
The paper focuses on the images in W.G. Sebald’s Vertigo, based on an iconographic interest. Absence in those images doesn’t come as abstraction, but by way of ostensive figuration. The deceased appear both allegorically and in person in their landscapes of death. The story of Vertigo follows Stend...
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| Format: | Article |
| Language: | deu |
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Università degli Studi di Torino
2019-06-01
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| Series: | CoSMO |
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| Online Access: | https://www.ojs.unito.it/index.php/COSMO/article/view/3435 |