Immagini del denaro: scambio, temporalità e dispendio nel cinema
This essay discusses the matter of the cinematography, with the analysis of Elio Petri’s film and novel, La proprietà non è più un furto, in the background. These works are paradigmatic as to a fundamental aspect of the cinematography, that connects it with the mechanism of the money. This mechanism...
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| Format: | Article |
| Language: | English |
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Rosenberg & Sellier
2011-03-01
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| Series: | Rivista di Estetica |
| Online Access: | http://journals.openedition.org/estetica/1638 |