Les sculptures de Marly de Louis XIV : influence vénitienne et destinée sous Louis XV
The architecture of Jules Hardouin-Mansart’s Royal Pavilion at Marly has long been recognized as a derivation from Palladio’s Villa Rotonda, and its painting programme was executed by a generation of artists influenced by Titian and Rubens. In this article, the garden sculptures, too, are studied fo...
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| Format: | Article |
| Language: | English |
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Centre de Recherche du Château de Versailles
2006-03-01
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| Series: | Bulletin du Centre de Recherche du Château de Versailles |
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| Online Access: | http://journals.openedition.org/crcv/11904 |