The imagination of touch: surrealist tactility in the films of Jan Švankmajer
This article is a theoretical examination of tactility in the Czech surrealist filmmaker Jan Švankmajer's film Down to the Cellar (1983). Švankmajer's deployment of tactile images in a surrealist context shows the need for a discussion of the imagination&a...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2013-09-01
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| Series: | Journal of Aesthetics & Culture |
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| Online Access: | http://www.aestheticsandculture.net/index.php/jac/article/download/21111/29895 |