“Many Rivers to Cross:” Orphic Confluences of Fred D’Aguiar’s Children of Paradise and Wilson Harris’ Palace of the Peacock
Seldom does criticism address cross-cultural issues in terms of confluence. In fact, scholars tend to use chaos theory (Glissant, Benitez-Rojo), oceanic tropes (Gilroy, Brathwaite), and linguistic foci (Chamoiseau, Bhabha) to deal with them. This is peculiar, first of all because many cities, on all...
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| Format: | Article |
| Language: | English |
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SAES
2018-04-01
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| Series: | Angles |
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| Online Access: | http://journals.openedition.org/angles/1089 |