Of Sagittarii and Dogs: Two Graphical Representations of the Lope de Vega Brand
This article examines how Lope de Vega proclaimed his literary singularity with two graphical representations: an engraving with a centaur that appeared in several covers of his works between 1604 and 1625, and an allegorical portrait that Lope kept in his study and that was well known in his circle...
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| Format: | Article |
| Language: | Catalan |
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Universitat de Girona; Universitat Autònoma de Barcelona
2016-11-01
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| Series: | Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro |
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| Online Access: | https://studiaaurea.com/article/view/210 |