Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star?
This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, <i>Suzhou Nights</i> (1941) and <i>Sayon’s Bell</i> (1943), I will work out how the roles she played are indicative of the gender...
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| Format: | Article |
| Language: | English |
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MDPI AG
2019-11-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/8/4/153 |