An Investigation of the Typology, Structural and Thematic Classification of the Tree Motif in the Chehelsoton Palace of Isfahan
In Iranian paintings, the element of nature, particularly trees are reflected abundantly and was considered as the pillar and foundation of existence, the connection between earth and sky the basis of the universe. Moreover, the mentioned symbol was a sign of birth, growth, development, death, resur...
| Main Authors: | , , |
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| Format: | Article |
| Language: | fas |
| Published: |
The Institute of Islamic Art Studies
2021-02-01
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| Series: | هنر اسلامی |
| Subjects: | |
| Online Access: | http://www.sysislamicartjournal.ir/article_127160_d41d8cd98f00b204e9800998ecf8427e.pdf |