Retooling Medievalism for Early Modern Painting in Annibale Carracci’s <i>Pietà with Saints</i> in Parma
Annibale Carracci (1560–1609) drew on the Italian Renaissance tradition of the Man of Sorrows to advance the Christological message within the altarpiece context of his <i>Pietà with Saints</i> (1585). From its location at the high altar of the Capuchin church of St. Mary Magdalene in Pa...
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| Format: | Article |
| Language: | English |
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MDPI AG
2021-08-01
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| Series: | Religions |
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| Online Access: | https://www.mdpi.com/2077-1444/12/8/609 |