Ruptures, renaissances et continuités. Modes de construction de l’histoire de l’art maghrébin

This article proposes a comparative study of the history of visual arts in Algeria and Tunisia from the 1960s to the 1980s. By drawing on texts produced in the wake of Algerian and Tunisian independence (e.g. exhibition catalogues published in-country or abroad, monographs and essays on art history)...

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Bibliographic Details
Main Authors: Annabelle Boissier, Fanny Gillet
Format: Article
Language:fra
Published: CNRS Éditions 2014-06-01
Series:L’Année du Maghreb
Subjects:
art
Online Access:http://journals.openedition.org/anneemaghreb/2096