Relationships of Ownership: Art and Theft in Bob Dylan’s 1960s Trilogy
Bob Dylan’s corpus is one continually engaged with appropriation and pilfering. This paper will look, predominantly, at three songs from his 1960s’ trilogy – ‘She Dylan problematizes the interrelationship between art, theft, and ownership. I argue that, similar to the urban artist Banksy, Dylan chal...
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| Format: | Article |
| Language: | English |
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University of Alberta
2012-05-01
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| Series: | Imaginations: Journal of Cross-Cultural Media Studies |
| Online Access: | http://imaginations.csj.ualberta.ca/?p=2961 |