“Lifelessness. . . is only a disguise”: living things and memories in Theatre de Complicite’sThe Street of Crocodiles
In recent years the Theatre de Complicite has become internationally famous for its exploration of the expressive powers of bodies and things on stage. This study focuses on the constant metamorphosis of things in a devised piece adapted from Bruno Schulz’s stories, The Street of Crocodiles (1992)....
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2009-03-01
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| Series: | Études Britanniques Contemporaines |
| Online Access: | http://journals.openedition.org/ebc/6049 |