„Nerozlišuji v tvorbě věci drobné a velké“ // ‘I do not distinguish between major and minor pieces in art’
This study yields an analysis of one of the most distinctive compositions from the composer Miloslav Kabeláč (1908–1970) for children’s choir and piano — Blue Sky (1950). One’s attention focuses above all on the vocal sound, on the elemental musical morphology and its impulses, which on the one ha...
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| Format: | Article |
| Language: | ces |
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Univerzita Karlova, Filozofická fakulta
2016-12-01
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| Series: | Slovo a Smysl |
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| Online Access: | http://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2017/02/pavel_kordik_26-53.pdf |