Looking through: the use of the free indirect subjetive camera in contemporary cinema
This research proposes to explore the cinematographic universe from the perspective of director and therefore it uses the free indirect subjective camera (a term from Italian filmaker Pier Paolo Pasolini) in contemporary cinema to illustrate the influence of Poetry Cinema today. The hybridity presen...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Estadual do Oeste do Paraná
2021-08-01
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| Series: | Travessias |
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| Online Access: | http://e-revista.unioeste.br/index.php/travessias/article/view/27663 |