La scène traumatique de Sarah Kane
Kane’s dramatic work reads like the paragon of the late 20th century traumatic stage. As early as in her first plays in which she opts for frontality and In-Yer-Face aesthetics, Kane constructs the stage as performative and even ontological : the very place of authentification of trauma. Kane also p...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2015-10-01
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| Series: | Sillages Critiques |
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| Online Access: | http://journals.openedition.org/sillagescritiques/4328 |