Testimony, Instant, Memory. Spaces of cut and interruption in Video Letter (1982), by Shuji Terayama and Shuntaro Tanikawa
This text takes as a central subject of investigation the documentary film <em>Video Letter</em> (1982), by Shuji Terayama and Shuntaro Tanikawa, inquiring its technical procedures and thematic approaches in parallel with a Jacques Derrida’s essay which is built around a fictional text,&...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Associação de Investigadores da Imagem em Movimento
2014-07-01
|
| Series: | Aniki: Revista Portuguesa da Imagem em Movimento |
| Subjects: | |
| Online Access: | http://aim.org.pt/ojs/index.php/revista/article/view/17 |