Testimony, Instant, Memory. Spaces of cut and interruption in Video Letter (1982), by Shuji Terayama and Shuntaro Tanikawa
This text takes as a central subject of investigation the documentary film <em>Video Letter</em> (1982), by Shuji Terayama and Shuntaro Tanikawa, inquiring its technical procedures and thematic approaches in parallel with a Jacques Derrida’s essay which is built around a fictional text,&...
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Format: | Article |
Language: | English |
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Associação de Investigadores da Imagem em Movimento
2014-07-01
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Series: | Aniki: Revista Portuguesa da Imagem em Movimento |
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Online Access: | http://aim.org.pt/ojs/index.php/revista/article/view/17 |