Renovation and modernity in contemporary Spanish religious sculpture. The work of José María Aguilar Collados (1909-1992) (II). The post-conciliar work
<p>The aestethic refuse started by Father Aguilar in the <em>Crucifix </em>of Carabanchel had its continuity in the works made in his new location, Sevilla, from 1956. He moved away from Baroque tradition and was closer to the principles emanating from Second Vatican Council about...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Universidad de Granada
2011-01-01
|
| Series: | Cuadernos de Arte de la Universidad de Granada |
| Subjects: | |
| Online Access: | http://revistaseug.ugr.es/index.php/caug/article/view/2657 |