Petrarch’s “Original” of the <i>Fragmenta</i> 1362-1558: from Boccaccio to Rovillio’s third printing
This essay questions the use of the term original to refer to Petrarch’s partial holograph of the Fragmenta (Vaticano Latino 3195) by examining the essential scribal change of register, from “fair” to “service” copy, that the poet imposed upon the still unsewn quires. Especially for an author like P...
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| Format: | Article |
| Language: | English |
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Oregon Digital
2011-01-01
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| Series: | Humanist Studies & The Digital Age |
| Online Access: | http://journals.oregondigital.org/index.php/hsda/article/view/1231 |