Affective Entanglements of Posthuman Bodiesin Pain in Matthew Barney’s Drawing Restraint 9
This article analyses Mathew Barney’s 2005 experimental film Drawing Restraint 9 in the context of affective entanglements of the human body with biological, technological and geological processes. The artist’s production, as the paper proposes, indicates the neces-sity to rework the he...
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| Format: | Article |
| Language: | deu |
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Institute of Philosophy of the Jagiellonian University
2018-12-01
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| Series: | The Polish Journal of Aesthetics |
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| Online Access: | https://pjaesthetics.uj.edu.pl/documents/138618288/143076540/newpja-51-5-art-stepien.pdf/2102db3f-8e7b-4ad3-9a73-45374a8991db |