Postmodern mimesis in Woody Allen's film Zelig

The paper analyses the specific nature of mimesis in Woody Allen's 1983 film Zelig. Mimesis here takes on a dual function: it is fundamental in the protagonist's individuation, but also an essential model of the genre determination. The aim of the study is to re-examine Woody Allen's...

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Bibliographic Details
Main Author: Čanji Andrej
Format: Article
Language:English
Published: Akademija umetnosti Univerziteta u Novom Sadu 2020-01-01
Series:Zbornik Radova Akademije Umetnosti
Subjects:
Online Access:https://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2020/2334-86662008042Q.pdf