Postmodern mimesis in Woody Allen's film Zelig
The paper analyses the specific nature of mimesis in Woody Allen's 1983 film Zelig. Mimesis here takes on a dual function: it is fundamental in the protagonist's individuation, but also an essential model of the genre determination. The aim of the study is to re-examine Woody Allen's...
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| Format: | Article |
| Language: | English |
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Akademija umetnosti Univerziteta u Novom Sadu
2020-01-01
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| Series: | Zbornik Radova Akademije Umetnosti |
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| Online Access: | https://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2020/2334-86662008042Q.pdf |