Time, technology, cinematic art and critique in <i>The Terminator</i> and <i>Terminator II - Judgment Day</i>; a philosophical interpretation
This article is an interpretation of James Cameron’s films, The Terminator and Terminator II - Judgment Day. As instances of popular art, they are first situated in the context of Habermas's conviction that art has a specific function in the public sphere, viz. to provide an enlightening experi...
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Format: | Article |
Language: | Afrikaans |
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AOSIS
1992-05-01
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Series: | Literator |
Online Access: | https://literator.org.za/index.php/literator/article/view/762 |