“Categorically Grotesque: Ballard, Bodies and Genre in Crash”
Crash’s philosophical and aesthetic focus on the wounded body has led to it being described by many of its readers as repulsive, disgusting, nauseating, and in other similarly visceral vocabulary. It has also, however, been praised in the highest terms for its perceived exploration and criticism of...
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| Format: | Article |
| Language: | English |
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De Gruyter
2019-01-01
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| Series: | Open Cultural Studies |
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| Online Access: | http://www.degruyter.com/view/j/culture.2019.3.issue-1/culture-2019-0039/culture-2019-0039.xml?format=INT |