INTERTEXTUALITY: LUIGI PIRANDELLO’S IL FU MATTIA PASCAL AND BRANISLAV NUŠIĆ’S POKOJNIK (THE DECEASED)
This paper will attempt to explain the reasons why it is possible to see Luigi Pirandello’s Il fu Mattia Pascal as the subtext of Branislav Nušić’s last play Pokojnik (The Deceased). The novel and the play have many common motifs and they also have a similar composition. Apart from their similar mo...
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Format: | Article |
Language: | deu |
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Università degli Studi di Torino
2018-12-01
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Series: | RiCognizioni |
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Online Access: | https://www.ojs.unito.it/index.php/ricognizioni/article/view/2488 |