INTERTEXTUALITY: LUIGI PIRANDELLO’S IL FU MATTIA PASCAL AND BRANISLAV NUŠIĆ’S POKOJNIK (THE DECEASED)

This paper will attempt to explain the reasons why it is possible to see Luigi Pirandello’s Il fu Mattia Pascal as the subtext of Branislav Nušić’s last play Pokojnik (The Deceased). The novel and the play have many common motifs and they also have a similar composition. Apart from their similar mo...

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Main Author: Livija Ekmečić
Format: Article
Language:deu
Published: Università degli Studi di Torino 2018-12-01
Series:RiCognizioni
Subjects:
Online Access:https://www.ojs.unito.it/index.php/ricognizioni/article/view/2488
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spelling doaj-7bcd839899a54ba28eff9e3c9647759e2021-09-14T07:27:30ZdeuUniversità degli Studi di TorinoRiCognizioni2384-89872018-12-0151010.13135/2384-8987/2488INTERTEXTUALITY: LUIGI PIRANDELLO’S IL FU MATTIA PASCAL AND BRANISLAV NUŠIĆ’S POKOJNIK (THE DECEASED)Livija Ekmečić0Belgrade This paper will attempt to explain the reasons why it is possible to see Luigi Pirandello’s Il fu Mattia Pascal as the subtext of Branislav Nušić’s last play Pokojnik (The Deceased). The novel and the play have many common motifs and they also have a similar composition. Apart from their similar motifs, there are also many intertextual links between the novel and the play. What makes the intertextual links between them very complex is the fact that Luigi Pirandello and Branislav Nušić often used similar mechanisms and stylistic devices in their work, both put emphasis on humour where as their poetics were very different. https://www.ojs.unito.it/index.php/ricognizioni/article/view/2488Luigi PirandelloBranislav Nušićnovelplayintertextuality
collection DOAJ
language deu
format Article
sources DOAJ
author Livija Ekmečić
spellingShingle Livija Ekmečić
INTERTEXTUALITY: LUIGI PIRANDELLO’S IL FU MATTIA PASCAL AND BRANISLAV NUŠIĆ’S POKOJNIK (THE DECEASED)
RiCognizioni
Luigi Pirandello
Branislav Nušić
novel
play
intertextuality
author_facet Livija Ekmečić
author_sort Livija Ekmečić
title INTERTEXTUALITY: LUIGI PIRANDELLO’S IL FU MATTIA PASCAL AND BRANISLAV NUŠIĆ’S POKOJNIK (THE DECEASED)
title_short INTERTEXTUALITY: LUIGI PIRANDELLO’S IL FU MATTIA PASCAL AND BRANISLAV NUŠIĆ’S POKOJNIK (THE DECEASED)
title_full INTERTEXTUALITY: LUIGI PIRANDELLO’S IL FU MATTIA PASCAL AND BRANISLAV NUŠIĆ’S POKOJNIK (THE DECEASED)
title_fullStr INTERTEXTUALITY: LUIGI PIRANDELLO’S IL FU MATTIA PASCAL AND BRANISLAV NUŠIĆ’S POKOJNIK (THE DECEASED)
title_full_unstemmed INTERTEXTUALITY: LUIGI PIRANDELLO’S IL FU MATTIA PASCAL AND BRANISLAV NUŠIĆ’S POKOJNIK (THE DECEASED)
title_sort intertextuality: luigi pirandello’s il fu mattia pascal and branislav nušić’s pokojnik (the deceased)
publisher Università degli Studi di Torino
series RiCognizioni
issn 2384-8987
publishDate 2018-12-01
description This paper will attempt to explain the reasons why it is possible to see Luigi Pirandello’s Il fu Mattia Pascal as the subtext of Branislav Nušić’s last play Pokojnik (The Deceased). The novel and the play have many common motifs and they also have a similar composition. Apart from their similar motifs, there are also many intertextual links between the novel and the play. What makes the intertextual links between them very complex is the fact that Luigi Pirandello and Branislav Nušić often used similar mechanisms and stylistic devices in their work, both put emphasis on humour where as their poetics were very different.
topic Luigi Pirandello
Branislav Nušić
novel
play
intertextuality
url https://www.ojs.unito.it/index.php/ricognizioni/article/view/2488
work_keys_str_mv AT livijaekmecic intertextualityluigipirandellosilfumattiapascalandbranislavnusicspokojnikthedeceased
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