White Skin/ Brown Masks: The Case of "White" Actresses From Silent to Early Sound Period in Bombay

My paper explores categories of gender, ethnicity, modernity and performance through the figure of the "white" actress in the early years of Indian cinema (1920-1940). Film was a lucrative site of business for intrepidly ambitious individuals in search of reinvention in Bombay. For women f...

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Bibliographic Details
Main Author: Sarah Rahman Niazi
Format: Article
Language:English
Published: Linköping University Electronic Press 2019-02-01
Series:Culture Unbound: Journal of Current Cultural Research
Subjects:
Online Access:http://dx.doi.org/10.3384/cu.2000.1525.2018103332