Louder Than Films: Memory, Affect and the ‘Sublime Image’ in the Work of Joachim Trier
“We have to believe that new images are still possible„. This remark by Norwegian filmmaker Joachim Trier during a recent event in Oslo entitled ‘The Sublime Image’ speaks to the centrality in his work of images, often of trauma, that aspire to the condition o...
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| Format: | Article |
| Language: | English |
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MDPI AG
2019-04-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/8/2/55 |