Eine Ästhetik der Unschärfe
The photographer Hiroshi Sugimoto decided once to push his camera’s focal length to twice-infinity while shooting urban landscapes. He interpreted the resulting blur as an erosion-test of modernity that would only be survived by the super large buildings of architectural landmarks. His relate...
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| Format: | Article |
| Language: | deu |
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StudienVerlag
2016-04-01
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| Series: | Österreichische Zeitschrift für Geschichtswissenschaften |
| Subjects: | |
| Online Access: | https://journals.univie.ac.at/index.php/oezg/article/view/3542 |