Metamorphosis and Identity – “Cinetheatrical” Spaces in Peter Greenaway’s The Baby of Mâcon
In his interviews, Peter Greenaway infamously claims that we have never seen films, only literature or theatre put on screen. He, being a painter himself, mostly characterises his construction of film-narrative as image-centred, a position in opposition to that of traditional plot-centred movies bas...
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| Format: | Article |
| Language: | English |
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University of Edinburgh
2010-06-01
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| Series: | Forum |
| Online Access: | http://www.forumjournal.org/article/view/647 |