The third margin of film. Ecuadorian cinema and parallel circulation.
This article discusses the filmic production carried out independently by Ecuadorians self-taught filmmakers. By the turn of the 1990s to the 2000s, using home equipment and the market of pirated DVDs, they began making films that have been successfully received by the public. Working with films suc...
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| Format: | Article |
| Language: | English |
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Associação de Investigadores da Imagem em Movimento
2016-07-01
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| Series: | Aniki: Revista Portuguesa da Imagem em Movimento |
| Subjects: | |
| Online Access: | http://aim.org.pt/ojs/index.php/revista/article/view/232 |