‘ The Theoretical Eye’ translated by Anthony Auerbach
In his article ‘L’œil théoricien’ (1988), written for the catalogue of an exhibition of works by Josef Albers (1888–1976), Hubert Damisch brought the complex of ideas elaborated in his major work on Renaissance painting to bear on the twentieth century. With reference, on the one hand, to psychoanal...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2011-12-01
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| Series: | Journal of Art Historiography |
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| Online Access: | http://arthistoriography.files.wordpress.com/2011/12/damisch.pdf |