Iconographic programmes in "The Skin I Live In" (Almodóvar, 2011)

As it is customary in Pedro Almodóvar’s last films, the images in <em>The Skin I Live In</em> (2011) are also organized into iconographic programmes. These visual arrangements arise from `trans´ operations, both in the body (transexuality, transgenesis, and trasplant), and in the text (t...

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Bibliographic Details
Main Author: Pedro Poyato Sánchez
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2015-12-01
Series:Anales de Historia del Arte
Subjects:
Online Access:http://revistasculturales.ucm.es/index.php/ANHA/article/view/50859