Wading through black jade in Marianne Moore’s sunken cathedral: The modernist sea poem as a Deleuzian fold
The study is a close reading of Moore’s poem “The Fish” (1918) through the conceptual lens of Gilles Deleuze’s trope of the fold, as explained in his influential 1988 study of Leibniz, The Fold: Leibniz and the Baroque. The purpose is to explore Moore’s (neo)baroque sensibility and her peculiar penc...
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| Format: | Article |
| Language: | English |
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Sciendo
2015-12-01
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| Series: | Studia Anglica Posnaniensia |
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| Online Access: | https://doi.org/10.1515/stap-2015-0034 |