Beyond Trompe l’Oeil Realism: Redefining the ‘Readymade’ in the Post-Digital Age
In an exhibition-catalog essay for the 2012 exhibition “Lifelike” at The Walker Art Center in Minneapolis, curator Siri Engberg suggested that “the utterly mundane reimagined through an artist’s careful hand or sly recontextualization can appear striking, even radical.” Thus, the Walker claimed that...
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| Format: | Article |
| Language: | English |
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University of Bologna
2017-01-01
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| Series: | piano b |
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| Online Access: | https://pianob.unibo.it/article/view/6633 |