L’Art du détour selon Shakespeare : les déviations de Troilus and Cressida, d’Othello et de The Tempest
If Shakespeare’s Renaissance contemporaries were keen on efficiency and “progress” (in the sense of “onward movement in space”), they also particularly enjoyed labyrinthine ways which distracted them from their primary purposes. I therefore propose to explore the deviations in three very different p...
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| Format: | Article |
| Language: | English |
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Maison de la Recherche en Sciences Humaines
2008-03-01
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| Series: | Revue LISA |
| Online Access: | http://journals.openedition.org/lisa/393 |