From a Geometry of Vision to a Geometry of Light in Early-Modern Perspective
Must the architect or artist understand how the world is perceived on the convex surface of the eye to simulate the three-dimensional world on a two-dimensional plane? For many early-modern artists, optics – defined as the science of vision – was fundamental. Yet, for architects, the integration of...
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| Format: | Article |
| Language: | English |
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UCL Press
2017-01-01
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| Series: | Architecture_MPS |
| Online Access: | https://ucl.scienceopen.com/hosted-document?doi=10.14324/111.444.amps.2017v11i1.001 |