Fidelity, Adaptation, and Meta-commentary: The Case of Susan Orlean’s The Orchid Thief and Spike Jonze’s Adaptation
Abstract Susan Orlean’s The Orchid Thief has raised and defied questions about genre since its appearance in 1998. Though “research” and “facts” are at the foreground of the book, critics have described it by such terms as literary non-fiction, faction, personal journalism, and non-fiction nove...
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| Format: | Article |
| Language: | English |
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University of Osijek
2017-12-01
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| Series: | Anafora |
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| Online Access: | http://www.ffos.unios.hr/anafora/anafora-41-6-fidelity-adaptation-and-meta-commentary |