Hester’s Estrangement: Searching for a Language out of Post-War Britain: Terence Davies’s The Deep Blue Sea (2011)
The premise of this paper is that in his adaptation of Terence Rattigan’s 1952 play The Deep Blue Sea, Terence Davies reimagines his film, though not exclusively, through the 1940’s woman’s picture, Brief Encounter (1945), thereby shifting a tale of forbidden adulterous passion occurring in period s...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2015-12-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | http://journals.openedition.org/ebc/2699 |