De l’effet de sidération et de peur dans les autoportraits d’Andy Warhol
The following article analyses the way fear and shock appear in Andy Warhol’s last self portraits, produced in 1986, through the mechanisms that oppose and accompany it. Using the technique of the tactile micro-analysis inspired by historian Carlo Ginzburg and art historian Aloïs Riegl, we will atte...
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| Format: | Article |
| Language: | English |
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Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2011-03-01
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| Series: | E-REA |
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| Online Access: | http://journals.openedition.org/erea/1662 |